Query, synopsis, and/or first-page evaluation~
In the meantime, if you’re primarily struggling with the query, synopsis, and/or first page, I can help you. You'll receive a written tutorial to help create your first draft. I'll evaluate this, offer written revision suggestions, and you revise accordingly. We'll schedule a 30-minute phone consultation (within a two-week time frame) to respond to your revised document and discuss your next move.
FEE: $145
In the meantime, if you’re primarily struggling with the query, synopsis, and/or first page, I can help you. You'll receive a written tutorial to help create your first draft. I'll evaluate this, offer written revision suggestions, and you revise accordingly. We'll schedule a 30-minute phone consultation (within a two-week time frame) to respond to your revised document and discuss your next move.
FEE: $145
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
The following interview was published September 1, 2016, in "The Write Tribe” blog in Sydney, Australia
Tell us a little about your background and what brought you to become the Publishing Wizard and start Submission Central.
I’ve been an avid reader and creative “junkie” my entire life. When our children were small, I was a stay-at-home mom, and embraced the world of crafts, quilting, and upholstery. After I’d slip covered everything in our home that didn’t move, I decided to submit designs and how-to instructions to Better Homes and Gardens. My involvement with the publication expanded to include editing “how-to” instructions. This brought me into the publishing world, first as a Time-Life editor of craft books, then an acquisitions editor for non-fiction and fiction submissions, and next (for 12 years), a publisher of spiritual psychology.
My experience in multiple phases of the publishing biz attracted writers wanting to know how to break into the business. I opened my first “virtual office” in 2001, and began speaking and teaching the submission process at writers’ conferences. This led to the development of getpublishednow.biz and most recently, of Agent/Query Submission Central. This one-stop membership site teaches writers everything they need to know to advance from completed manuscript to agent acquisition.
You’ve had over 30 years in this industry and boast a diverse background in writing, editing, presenting and in publication. What’s been your favourite role?
Above all else, I love to coach writers. I enjoy helping them make the transition from “telling” to “selling.” My reward is following their progress as then create engaging submission materials and land agents to move them closer to their goals of becoming published.
What is your background in writers’ groups?
From 2001 to 2014, I presented how-to-get-published workshops at state and national writers’ conferences including SCBWI (Society of Children’s Book Writers and Illustrators) and the ABA (American Booksellers’ Association). Eventually, I shifted my presentations and workshops into the digital world to reach and teach larger numbers of writers.
There’s a lot of talk of critique and writers’ groups moving online. What are your thoughts on managing writers’ groups online versus in the ‘real’ world?
I’ve taught writers’ groups live and in person, as well as live in virtual classrooms online. Zoom’s software-based technology allows anyone to open a meeting room, invite participants, and share screen documents in a similar manner as if they all were in the physical location. It’s more effective for me to expend time and energy working online with writers, then traveling to their locations to accomplish the same goal.
The challenge of critique groups is that while the support is great for writers, groups are limited by the knowledge/experience of the leader.
What do you consider to be the greatest challenges for writers today?
Competition for attention has intensified beyond anyone’s wildest imagination. In 2014, when the publishing business embraced the technology of the digital world, 95% of agents in American opened their inboxes to the world. This has resulted in a tsunami of project submissions, most are not quite ready for prime time.
Writers seeking agent representation must learn how to craft a digital submission “package” and format it to be agent-and-device-friendly. The most important portion of their submission is the email SUBJECT line. In 10 words or less, the writer needs to engage agent interest so they will “click” and open the email to read (at least) the query first paragraph.
NOTE: the query first paragraph frequently is the only one ever read. If it doesn’t reveal the story core (who wants what, why, what stands in their way, and the terrible “or else,” that could occur if they don’t get what they want), the submission flies off to delete-ville.
The role of giving and receiving feedback is central to many writers’ groups and when approaching agents and publishers, writers need to be prepared to receive feedback and deal with disappointment. What is your advice for writers in dealing with this aspect of writing life?
Agents and publishers are business people, first and foremost. They constantly search for projects that are publication worthy and will increase revenue for the publisher, agent, and the writer.
Rejection is not personal. Even though it feels like it. Rejection from agents and publishers can mean that the project isn’t what they are looking for, or might require too much editing and restructuring to make it economically feasible.
Non-acceptance, more often than not, occurs because the writer hasn’t crafted a submission package that proves they’re the real deal: a skilled writer with a saleable manuscript. Agents are time-pressured and will not take the time to figure out exactly what any writer has to offer.
My suggestion for writers who are ready (or about ready) to launch their agent quest, is to welcome the new, brief but intense, learning curve. Celebrate the fact that you’ve completed a manuscript and can do the same for a submission package that will engage agent interest. That’s been the goal all along.
Many writers are able to make the transition from telling to selling. Especially with coaching from an industry professional (that would be moi) to guide them through the necessary steps to get what they want: agent, publishing contract, and shelf space at Barnes and Noble or Amazon bookstores.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
The following interview was published September 1, 2016, in "The Write Tribe” blog in Sydney, Australia
Tell us a little about your background and what brought you to become the Publishing Wizard and start Submission Central.
I’ve been an avid reader and creative “junkie” my entire life. When our children were small, I was a stay-at-home mom, and embraced the world of crafts, quilting, and upholstery. After I’d slip covered everything in our home that didn’t move, I decided to submit designs and how-to instructions to Better Homes and Gardens. My involvement with the publication expanded to include editing “how-to” instructions. This brought me into the publishing world, first as a Time-Life editor of craft books, then an acquisitions editor for non-fiction and fiction submissions, and next (for 12 years), a publisher of spiritual psychology.
My experience in multiple phases of the publishing biz attracted writers wanting to know how to break into the business. I opened my first “virtual office” in 2001, and began speaking and teaching the submission process at writers’ conferences. This led to the development of getpublishednow.biz and most recently, of Agent/Query Submission Central. This one-stop membership site teaches writers everything they need to know to advance from completed manuscript to agent acquisition.
You’ve had over 30 years in this industry and boast a diverse background in writing, editing, presenting and in publication. What’s been your favourite role?
Above all else, I love to coach writers. I enjoy helping them make the transition from “telling” to “selling.” My reward is following their progress as then create engaging submission materials and land agents to move them closer to their goals of becoming published.
What is your background in writers’ groups?
From 2001 to 2014, I presented how-to-get-published workshops at state and national writers’ conferences including SCBWI (Society of Children’s Book Writers and Illustrators) and the ABA (American Booksellers’ Association). Eventually, I shifted my presentations and workshops into the digital world to reach and teach larger numbers of writers.
There’s a lot of talk of critique and writers’ groups moving online. What are your thoughts on managing writers’ groups online versus in the ‘real’ world?
I’ve taught writers’ groups live and in person, as well as live in virtual classrooms online. Zoom’s software-based technology allows anyone to open a meeting room, invite participants, and share screen documents in a similar manner as if they all were in the physical location. It’s more effective for me to expend time and energy working online with writers, then traveling to their locations to accomplish the same goal.
The challenge of critique groups is that while the support is great for writers, groups are limited by the knowledge/experience of the leader.
What do you consider to be the greatest challenges for writers today?
Competition for attention has intensified beyond anyone’s wildest imagination. In 2014, when the publishing business embraced the technology of the digital world, 95% of agents in American opened their inboxes to the world. This has resulted in a tsunami of project submissions, most are not quite ready for prime time.
Writers seeking agent representation must learn how to craft a digital submission “package” and format it to be agent-and-device-friendly. The most important portion of their submission is the email SUBJECT line. In 10 words or less, the writer needs to engage agent interest so they will “click” and open the email to read (at least) the query first paragraph.
NOTE: the query first paragraph frequently is the only one ever read. If it doesn’t reveal the story core (who wants what, why, what stands in their way, and the terrible “or else,” that could occur if they don’t get what they want), the submission flies off to delete-ville.
The role of giving and receiving feedback is central to many writers’ groups and when approaching agents and publishers, writers need to be prepared to receive feedback and deal with disappointment. What is your advice for writers in dealing with this aspect of writing life?
Agents and publishers are business people, first and foremost. They constantly search for projects that are publication worthy and will increase revenue for the publisher, agent, and the writer.
Rejection is not personal. Even though it feels like it. Rejection from agents and publishers can mean that the project isn’t what they are looking for, or might require too much editing and restructuring to make it economically feasible.
Non-acceptance, more often than not, occurs because the writer hasn’t crafted a submission package that proves they’re the real deal: a skilled writer with a saleable manuscript. Agents are time-pressured and will not take the time to figure out exactly what any writer has to offer.
My suggestion for writers who are ready (or about ready) to launch their agent quest, is to welcome the new, brief but intense, learning curve. Celebrate the fact that you’ve completed a manuscript and can do the same for a submission package that will engage agent interest. That’s been the goal all along.
Many writers are able to make the transition from telling to selling. Especially with coaching from an industry professional (that would be moi) to guide them through the necessary steps to get what they want: agent, publishing contract, and shelf space at Barnes and Noble or Amazon bookstores.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
In 2012, the passage of Obamacare (and it's freedom-destructive mandates) motivated me to expand into the political world. I became aware that the changes coming at my beloved country threatened our freedoms and our children and grandchildren.
I began writing political commentary for Glenn Beck's TheBlaze, then authored two books of snarky political stories:
Pissed off but not Packin,' Granny's Going to a Tea-Party, and
Politically Incorrect Fables, Uncle Scam wants Your Money and Your Country.
In January, 2017, after eight years of a corrupt administration and a weak president who apologized for America, created trillions of debt, diminished our military, and lied/denied promised medical care to our brave warriors, I'd had ENOUGH!
I updated former snarky political stories and wrote new ones to entertain, engage, and enlist patriots who love their families and their country and are worried about the future of America. CLICK HERE to read an excerpt from "Stories for Swamp Drainers."
It's time for all us, including patriots, fence sitters, and abandoned democrats to stand together and take our country back.
Time is running out for us to protect our freedom and re-establish the rule of law.
Invite your friends and neighbors to join in the critical effort to make America Great Again.
Join us!
What do you have to lose, beside your country?
I began writing political commentary for Glenn Beck's TheBlaze, then authored two books of snarky political stories:
Pissed off but not Packin,' Granny's Going to a Tea-Party, and
Politically Incorrect Fables, Uncle Scam wants Your Money and Your Country.
In January, 2017, after eight years of a corrupt administration and a weak president who apologized for America, created trillions of debt, diminished our military, and lied/denied promised medical care to our brave warriors, I'd had ENOUGH!
I updated former snarky political stories and wrote new ones to entertain, engage, and enlist patriots who love their families and their country and are worried about the future of America. CLICK HERE to read an excerpt from "Stories for Swamp Drainers."
It's time for all us, including patriots, fence sitters, and abandoned democrats to stand together and take our country back.
Time is running out for us to protect our freedom and re-establish the rule of law.
Invite your friends and neighbors to join in the critical effort to make America Great Again.
Join us!
What do you have to lose, beside your country?
Make way for an American-Loving-flag-waving deplorable story-telling-swamp drainer~
Updated August 11, 2017
Tap into my experience as a Time-Life and acquisitions editor to craft marketing documents (query, synopsis, first page) that prove you are what every agent wants: a skilled writer with a saleable project. (Private evaluations, face-to-face online consults and/or group workshops are available via Zoom technology which enables live discussions from your desktop, laptop, and/or smart phone.)
Pitch Perfect~
Build your confidence about an upcoming face-to-face pitch to an agent. 30-minutes of practice with me will boost your confidence to make the most of your pitching time. You’ll learn what to say and how. This is especially vital if you’re participating in a 90-second “speed pitching” event that involves pitching to several agents, one after the other. Wham! Bam! Send your manuscript m’am (or sir).
Fee: $39 for your 30-minute online consultation.
Query, synopsis, or first-page evaluation~
If you’re struggling with the creation of your submission documents (query, synopsis, first page), my first draft evaluation may be just what you need. The fee includes a download of the pertinent tutorial: How to Write a Query that Lands an Agent, OR Five Step Synopsis Solution, OR Seven Steps to a Sizzling First Page.
Regardless of which document you wish to be evaluated, I’ll respond with a written evaluation. After you’ve read my suggestions, we’ll schedule a 20-minute phone consultation (within a two-week timeframe) to answer any questions.
(Non-fiction query/proposal evaluation quotes upon request. Use contact box below).
Option One:
FEE: $115 for 60 minutes of written evaluation and consult.
Option Two:
Save $45 when you purchase 120 minutes of written consultation to evaluate all three, 350-word documents: query, synopsis, and first page.
FEE: $325.
General consultation about your get-published goals~
Are you unclear about how to achieve your goal of becoming a published author? I’ll help you determine your most beneficial path. (New clients only).
FEE: $29 for a 15-minute phone or Zoom consultation.
Molli on Call~
Reserve 60 minutes of evaluation/consultation time to use when you need it. I’ll respond to your questions (by email) within 24 hours and subtract time expended from your consultation account.
FEE: $115
Private critique/writing group workshop via Zoom technology~
You and your writing compadres can interact with me in a three-hour intensive and receive live (and written) evaluation of your marketing documents: query, synopsis, and/or first page. Maximum of nine (9) documents will be thoroughly evaluated. BONUS: Up to 20 people can join the workshop to ask questions and/or make comments during the evaluations, which can be viewed on any participants’ computer screen.
FEE: $500
NOTE: Regardless of which service you select, click to make payment through PayPal and I’ll respond within 24 hours.
Is your manuscript ready for prime time?
Are you stuck with manuscript revision? You recognize your story needs something, but you're not quite sure what or how to revise.
So, stop struggling through revision and tap into my 35+ years expertise in film (screenplay development) and as a TIME-LIFE and acquisitions editor. It doesn't matter if your manuscript is completed, partially written, or in rough draft form.
And, it won't max out your credit card.
A context evaluation can help you determine the following:
CLICK HERE to discover more about context editing to give your manuscript the best chance to land an agent who will guide you through the publishing maze.
Tap into my experience as a Time-Life and acquisitions editor to craft marketing documents (query, synopsis, first page) that prove you are what every agent wants: a skilled writer with a saleable project. (Private evaluations, face-to-face online consults and/or group workshops are available via Zoom technology which enables live discussions from your desktop, laptop, and/or smart phone.)
Pitch Perfect~
Build your confidence about an upcoming face-to-face pitch to an agent. 30-minutes of practice with me will boost your confidence to make the most of your pitching time. You’ll learn what to say and how. This is especially vital if you’re participating in a 90-second “speed pitching” event that involves pitching to several agents, one after the other. Wham! Bam! Send your manuscript m’am (or sir).
Fee: $39 for your 30-minute online consultation.
Query, synopsis, or first-page evaluation~
If you’re struggling with the creation of your submission documents (query, synopsis, first page), my first draft evaluation may be just what you need. The fee includes a download of the pertinent tutorial: How to Write a Query that Lands an Agent, OR Five Step Synopsis Solution, OR Seven Steps to a Sizzling First Page.
Regardless of which document you wish to be evaluated, I’ll respond with a written evaluation. After you’ve read my suggestions, we’ll schedule a 20-minute phone consultation (within a two-week timeframe) to answer any questions.
(Non-fiction query/proposal evaluation quotes upon request. Use contact box below).
Option One:
FEE: $115 for 60 minutes of written evaluation and consult.
Option Two:
Save $45 when you purchase 120 minutes of written consultation to evaluate all three, 350-word documents: query, synopsis, and first page.
FEE: $325.
General consultation about your get-published goals~
Are you unclear about how to achieve your goal of becoming a published author? I’ll help you determine your most beneficial path. (New clients only).
FEE: $29 for a 15-minute phone or Zoom consultation.
Molli on Call~
Reserve 60 minutes of evaluation/consultation time to use when you need it. I’ll respond to your questions (by email) within 24 hours and subtract time expended from your consultation account.
FEE: $115
Private critique/writing group workshop via Zoom technology~
You and your writing compadres can interact with me in a three-hour intensive and receive live (and written) evaluation of your marketing documents: query, synopsis, and/or first page. Maximum of nine (9) documents will be thoroughly evaluated. BONUS: Up to 20 people can join the workshop to ask questions and/or make comments during the evaluations, which can be viewed on any participants’ computer screen.
FEE: $500
NOTE: Regardless of which service you select, click to make payment through PayPal and I’ll respond within 24 hours.
Is your manuscript ready for prime time?
Are you stuck with manuscript revision? You recognize your story needs something, but you're not quite sure what or how to revise.
So, stop struggling through revision and tap into my 35+ years expertise in film (screenplay development) and as a TIME-LIFE and acquisitions editor. It doesn't matter if your manuscript is completed, partially written, or in rough draft form.
And, it won't max out your credit card.
A context evaluation can help you determine the following:
- Are your characters engaging?
- Do any characters need further definition?
- Is your dialogue varied and appropriate?
- Does your story begin in the right spot?
- Does your story "hook" readers so they'll read from beginning to end?
- Does your plot make sense? Are there aspects that need to be expanded, reduced, and/or deleted?
- Have you applied basic writing mechanics throughout?
CLICK HERE to discover more about context editing to give your manuscript the best chance to land an agent who will guide you through the publishing maze.
BOGO query evaluation: pay for a one-draft evaluation, receive a second-draft evaluation . . . free!
I'll evaluate (in writing) your query letter first draft (maximum 350 words) within 10 days after receipt and payment. You revise and return to me within 15 days. You'll receive my written evaluation of your second draft within 10 days.
My standard fee is $150 for evaluation of one query draft. This BOGO offer includes a second evaluation at no additional cost!
Use the Paypal button below to begin the process. Upon receipt of PayPal notification, I'll contact you with specifics about how to submit your query.
CLICK HERE to meet more writers I've helped achieve author-hood.
I'll evaluate (in writing) your query letter first draft (maximum 350 words) within 10 days after receipt and payment. You revise and return to me within 15 days. You'll receive my written evaluation of your second draft within 10 days.
My standard fee is $150 for evaluation of one query draft. This BOGO offer includes a second evaluation at no additional cost!
Use the Paypal button below to begin the process. Upon receipt of PayPal notification, I'll contact you with specifics about how to submit your query.
CLICK HERE to meet more writers I've helped achieve author-hood.
This video (from a January webinar) includes evaluation of a successful query and demonstrates how to utilize Writers' Digest conference listings as up-to-date and accurate resources of information you can tap into and locate potential agents.
Submission Game Changer~
Agents request submissions that include query, synopsis, and writing sample inside a single email. (No attachments). Your entire submission must tell the agent everything they want to know about you and your manuscript, and be formatted to be agent-and-digital friendly so it can be easily read on desktop, laptop, or smart phone.
Agent/Query Submission Central is designed to help you advance from writer to author!
Finally, in one location, a membership program that helps writers navigate the learning curve between completed manuscript and agent acquisition. Agent/Query Submission Central offers weekly live workshops, one-on-one homework evaluations, a private Facebook group for Q & A discussions, monthly tutorials, and much, much more. CLICK HERE for details.
Agents request submissions that include query, synopsis, and writing sample inside a single email. (No attachments). Your entire submission must tell the agent everything they want to know about you and your manuscript, and be formatted to be agent-and-digital friendly so it can be easily read on desktop, laptop, or smart phone.
Agent/Query Submission Central is designed to help you advance from writer to author!
Finally, in one location, a membership program that helps writers navigate the learning curve between completed manuscript and agent acquisition. Agent/Query Submission Central offers weekly live workshops, one-on-one homework evaluations, a private Facebook group for Q & A discussions, monthly tutorials, and much, much more. CLICK HERE for details.
Special Offer (until March 3)
Pay for two (2) months, receive a third (3) month FREE! Save $77.
$154 for three months can advance your publishing career.
Isn't increasing your potential to become published worth at least that?
Pay for two (2) months, receive a third (3) month FREE! Save $77.
$154 for three months can advance your publishing career.
Isn't increasing your potential to become published worth at least that?
NOTE: If you're like most writers, you feel unsure and perplexed about how to go about find qualified and trustworthy agents who want to expand their client list.
Here's a "no-brainer" process to help your quest.
Check out any writers’ conferences sponsored by Writers’ Digest. Their promo pieces always list attending agents, agencies they represent, and genre that most interest them. (Like the ones above)
Go to their agency websites, learn more about them. You can feel confident that the information you glean will be up-do-date and accurate.
This process is time-intensive, but fruitful. The list you’ll compile will contain legitimate agents who want to read manuscripts like yours.
Your next success step? Join Agent/Query Submission Central and learn to write query, synopsis, and first pages that prove you're the real deal: a writer with skill and a saleable manuscript and the potential for future projects.
Present yourself as a pro and you'll cause agents to jump up and down with glee! "Woohoo, here's the writer we've been looking for!"
Good luck! May the words be with you!
Here's a "no-brainer" process to help your quest.
Check out any writers’ conferences sponsored by Writers’ Digest. Their promo pieces always list attending agents, agencies they represent, and genre that most interest them. (Like the ones above)
Go to their agency websites, learn more about them. You can feel confident that the information you glean will be up-do-date and accurate.
This process is time-intensive, but fruitful. The list you’ll compile will contain legitimate agents who want to read manuscripts like yours.
Your next success step? Join Agent/Query Submission Central and learn to write query, synopsis, and first pages that prove you're the real deal: a writer with skill and a saleable manuscript and the potential for future projects.
Present yourself as a pro and you'll cause agents to jump up and down with glee! "Woohoo, here's the writer we've been looking for!"
Good luck! May the words be with you!
12/2/16
Check out the 13 active, vetted, agents who are scheduled to attend the Philadelphia Writers' Workshop in April. Actively seeking clients, these agents will listen to one-on-one pitches in hopes of meeting the next Clancy, Rowlings, or Patterson.
Take advantage of this listing (for research) and click on the link below. Scroll down the page to read current information about each one including education, literary experience, agency associations and the types or projects they seek. Place the best prospects on your list of perspective agents to query.
CLICK HERE.
Check out the 13 active, vetted, agents who are scheduled to attend the Philadelphia Writers' Workshop in April. Actively seeking clients, these agents will listen to one-on-one pitches in hopes of meeting the next Clancy, Rowlings, or Patterson.
Take advantage of this listing (for research) and click on the link below. Scroll down the page to read current information about each one including education, literary experience, agency associations and the types or projects they seek. Place the best prospects on your list of perspective agents to query.
CLICK HERE.
Platinum Membership includes all of the above: workshops, tutorials, private Facebook group, etc., plus, every month, a 30-minute, private consultation with me to evaluate your progress and address your questions or concerns.
Special Offer: B-2-G-3
Buy two months, receive a third one free!
Save $77 (33%) when you subscribe to agent/query submission central for three months. This averages out to $52 a month. Isn't your writing career worth at least that? Stay as long or as short as you like. No long-term committment.
Buy two months, receive a third one free!
Save $77 (33%) when you subscribe to agent/query submission central for three months. This averages out to $52 a month. Isn't your writing career worth at least that? Stay as long or as short as you like. No long-term committment.
Special Offer: B-2-G-3
Buy two months, receive a third one free!
Save $77 (33%) when you join Agent/Query Submission Central for three months. This averages out to $52 a month. Isn't your writing career worth at least that?
Act now!
, and save $77 (30% when you subscribe by November 30. (Join for $137 instead of $171)
. Instead of in this special offer.
Buy 2 Get 3: join for two-months. Receive a 3rd month free.
Save 30% when you subscribe by October 10, 2016
Buy two months, receive a third one free!
Save $77 (33%) when you join Agent/Query Submission Central for three months. This averages out to $52 a month. Isn't your writing career worth at least that?
Act now!
, and save $77 (30% when you subscribe by November 30. (Join for $137 instead of $171)
. Instead of in this special offer.
Buy 2 Get 3: join for two-months. Receive a 3rd month free.
Save 30% when you subscribe by October 10, 2016
October 7 (Friday) 1 PM Eastern. Workshop #1.
Email SUBJECT line and query first paragraph.
October 14 (Friday) 1 PM, Eastern. Workshop #2.
Query first paragraph evaluations and the "must -have" story core of who wants what, why, why not, and the terrible "or else" that can occur if they don't get what they want. Video and transcript are posted on the "on-demand" page above.
October 21 (Friday) 1 PM Eastern. Workshop #3
Query third paragraph evaluations. How to show and tell about you in a manner that springboards the agent to keep scrolling and read your synopsis. Video and transcript are posted on the "on-demand" page above.
October 28 (Friday) 1 PM Eastern. Workshop #4
How to identify red-flag words. Query letter reviews.
November 4 (Friday) 1 PM Eastern. Workshop #5
FOCUS: The synopsis, Part One.
Email SUBJECT line and query first paragraph.
October 14 (Friday) 1 PM, Eastern. Workshop #2.
Query first paragraph evaluations and the "must -have" story core of who wants what, why, why not, and the terrible "or else" that can occur if they don't get what they want. Video and transcript are posted on the "on-demand" page above.
October 21 (Friday) 1 PM Eastern. Workshop #3
Query third paragraph evaluations. How to show and tell about you in a manner that springboards the agent to keep scrolling and read your synopsis. Video and transcript are posted on the "on-demand" page above.
October 28 (Friday) 1 PM Eastern. Workshop #4
How to identify red-flag words. Query letter reviews.
November 4 (Friday) 1 PM Eastern. Workshop #5
FOCUS: The synopsis, Part One.
- Overview and examples.
- Your goal. Show and sell your story in five paragraphs.
What needs to be included in your
query submission email?
query submission email?
Click the blue button to request your FREE Query Submission Check List to help you discover what you need to include where and why.
Regardless of what you write, or where you are in your writing journey, I can help you move closer to that day when you need to order "author" business cards.
Not sure what you need? No problem. A discussion with me can determine what steps you need to take in order to keep moving along your path toward success.
Take advantage of my 30-minute introductory phone,Skype, or Zoom meeting room consultation for only $29.
Use the PayPal button below. Then, I'll contact you and we'll set up your appointment.
Not sure what you need? No problem. A discussion with me can determine what steps you need to take in order to keep moving along your path toward success.
Take advantage of my 30-minute introductory phone,Skype, or Zoom meeting room consultation for only $29.
Use the PayPal button below. Then, I'll contact you and we'll set up your appointment.
BONUS: Act now to also receive my 24-page, query tutorial and template. This special offer expires October 10, 2016. ACT NOW!
Subscribe now to AgentQuery Submission Central for three months, and save 20% in this special offer.
Subscribe now to AgentQuery Submission Central for three months, and save 20% when you subscribe by November 30. (Join for $137 instead of $171)
. Instead of in this special offer.
Buy 2 Get 3: join for two-months. Receive a 3rd month free.
Save 30% when you subscribe by October 10, 2016
Early Bird Special! B-2-G-3
30-minute consultation~
Regardless of what you write, or where you are in your writing journey, our 30-minute discussion can clarify your focus to keep you on track toward success.
Phone (or Skype) consultation: $29.
Regardless of what you write, or where you are in your writing journey, our 30-minute discussion can clarify your focus to keep you on track toward success.
Phone (or Skype) consultation: $29.
CLICK HERE to grab your seat for a free, introductory Submission Central webinar today, Sept 24, at 11AM Eastern. (Thanks for sharing this free webinar opportunity with other writers in your universe).
PS: On-demand replay will be available in case you miss the live event!
PS: On-demand replay will be available in case you miss the live event!
4-23-16 Kelly Peterson at Corvisiero Literary is interested in MG, YA Fantasy, Paranormal, and Sci-fi, sword and sorcery, selective contemporary romance, and any combination of the above with strong, female main characters. New Adult: fantasy, paranormal, romance (cowboys, sexy and somewhat geeky entrepreneur, celebrity, historical romance, or any combination of the above). Adult Fiction: Fantasy, Romance. How to submit: Email query, one-page synopsis, and first
five (5) 5 pgs. of manuscript inside your emailed query. Send to: [email protected]. SUBJECT LINE: Query for Kelly: Include your title.
five (5) 5 pgs. of manuscript inside your emailed query. Send to: [email protected]. SUBJECT LINE: Query for Kelly: Include your title.
Agent/Query SUBMISSION CENTRAL launches October 1, 2016
Click here for more information about this unique program~
Meet Jenny, whose novel-in-progress became a semi-finalist in the 2015 William Faulkner Wisdom Creative Writing Contest. Despite this impressive credential, Jenny ran into walls of resistance on her initial agent quest. But, after participating in a four-week, Submission Central workshop, Jenny revised her submission and with renewed enthusiasm, hits the query trail again. How's she doing? Find out at the webinar/open house on Saturday when Jenny shares her "before and after" submission query and synopsis.
Emile has become the "Little Engine that Could" role model. Over a time span of several months, she submitted her project to 80 agents. Fourteen (14) requested full manuscripts. One responded with four pages of revision suggestions. Emile revised, re-submitted, and now waits . . . but not idly. What's she's up to during her time of waiting? Her story will amuse and inspire you at the webinar/open house on Saturday.
Here's Kim, living proof that miracles abound. On a whim/hunch, Kim pitched a story (that had been stuck in her brain for a while) at a writers' conference "Query Gong Show." After her on-the-spot pitch, every agent on the judging panel stood up waving their cards. "Pick me. Pick me." So where's Kim's project now? She'll reveal all at the webinar/open house on Saturday.
Give up Agent Angst . . . forever!
You're invited . . .
September 24, 11 AM Eastern, to the pre-launch webinar for AGENT/QUERY SUBMISSION CENTRAL.
During our virtual "gala," sample the services included when you become a SUBMISSION CENTRAL member. These include:
PS: Join in the contest, "Pin the Tail on the Subject Line." The winner receives a free query evaluation from me.
PS.1: Several talented and determined writers, in varying stages of the submission process, will share their frustrations and triumphs.
PS.2: Share this webinar invitation with your writing friends. They'll thank you!
September 24, 11 AM Eastern, to the pre-launch webinar for AGENT/QUERY SUBMISSION CENTRAL.
During our virtual "gala," sample the services included when you become a SUBMISSION CENTRAL member. These include:
- Step-by-step instruction and templates for query, synopsis, and first pages.
- Weekly, virtual workshop/webinars.
- Weekly evaluations of submission documents.
- Daily discussion forum Q & A with other writers and me.
- Current agents submission requirements: who wants what and how they want it to be submitted.
- How to unleash your inner Sherlock Holmes to locate the most perfect agent for your project.
- Tips for becoming an agent magnet.
- Giving up agent anxiety forever.
PS: Join in the contest, "Pin the Tail on the Subject Line." The winner receives a free query evaluation from me.
PS.1: Several talented and determined writers, in varying stages of the submission process, will share their frustrations and triumphs.
PS.2: Share this webinar invitation with your writing friends. They'll thank you!
What to expect from your agent~
The most obvious benefit of working with an agent is that they have fingers on the pulse of many publishing companies. They have established relationships with editors and publishers and know exactly who is looking for what. They personally call publishing house editors and "pitch" them on projects.
When the editor expresses interest in publishing your manuscript, contract negotiations begin.
Your agent becomes the buffer between you and the publishing company. They negotiate terms for you and represent your best interests in the event of a dispute. They take care of your business, thereby freeing you to write your next best seller(s).
How do you pay your agent? Actually, they pay you. The publisher sends your advance and royalties to the agent who arranged the relationship (made the sale). The agent deducts an agreed-upon percentage, (usually 15%) on domestic sales, 20% on foreign), then sends you the balance. If any issues arise, like late royalty payments, your agent is "on it" and handles the situation with the publisher.
Your best interests are your
agent’s best interests.
Some agents want you to tell them (in your query) how or where you’ve heard about them. Fine, tell them. Obviously, if you met at a conference, remind them about your conversation. Then leap right into the subject of your manuscript.
(When I was an acquisitions editor, I never cared about how the writer had found me UNLESS we'd met at a writers' conference. In that case, I'd give their submission preference by placing it at the front of the virtual line.)
Need help?
Check out WRITERS' SERVICES and SUBMISSION CENTRAL.
The most obvious benefit of working with an agent is that they have fingers on the pulse of many publishing companies. They have established relationships with editors and publishers and know exactly who is looking for what. They personally call publishing house editors and "pitch" them on projects.
When the editor expresses interest in publishing your manuscript, contract negotiations begin.
Your agent becomes the buffer between you and the publishing company. They negotiate terms for you and represent your best interests in the event of a dispute. They take care of your business, thereby freeing you to write your next best seller(s).
How do you pay your agent? Actually, they pay you. The publisher sends your advance and royalties to the agent who arranged the relationship (made the sale). The agent deducts an agreed-upon percentage, (usually 15%) on domestic sales, 20% on foreign), then sends you the balance. If any issues arise, like late royalty payments, your agent is "on it" and handles the situation with the publisher.
Your best interests are your
agent’s best interests.
Some agents want you to tell them (in your query) how or where you’ve heard about them. Fine, tell them. Obviously, if you met at a conference, remind them about your conversation. Then leap right into the subject of your manuscript.
(When I was an acquisitions editor, I never cared about how the writer had found me UNLESS we'd met at a writers' conference. In that case, I'd give their submission preference by placing it at the front of the virtual line.)
Need help?
Check out WRITERS' SERVICES and SUBMISSION CENTRAL.
What do agents really want?
All agents seek quality manuscripts to sell to publishers. Period. This need has increased in recent years as multiple avenues of publication, from ebooks to audio books to podcast books, etc., have expanded the market and opportunities for writers.
You may be a writer who continually struggles to get through the publishing door. Even though you've crafted a fascinating story, you're unable to locate the right agent to guide you through the publishing maze. Why?
The answer's pretty basic. Perhaps you don't understand how to:
1) Write a compelling email SUBJECT line to motivate agents to click and open your submission.
2) Format your submission documents to be device-and-agent friendly.
3) Tell the core of your story in the first three sentences of your query letter.
4) Write a synopsis to motivate the agent to read your sample pages.
5) Self-edit your work to eliminate ALL writing mechanic errors.
You may be thinking it's not fair that you have to learn all this new stuff in order to get your book published. After all, you've already spent months or years writing the book.
Well . . . get over it!
Time for a reality check. This is about business. Period. Agents want to discover writers with salable manuscripts that publishers can manufacture into books which sell and generate profits to keep the business going and growing.
It's up to you to make the case that you are the real deal: a talented writer with a saleable manuscript. Prove you are the client they've been looking for all along.
All agents seek quality manuscripts to sell to publishers. Period. This need has increased in recent years as multiple avenues of publication, from ebooks to audio books to podcast books, etc., have expanded the market and opportunities for writers.
You may be a writer who continually struggles to get through the publishing door. Even though you've crafted a fascinating story, you're unable to locate the right agent to guide you through the publishing maze. Why?
The answer's pretty basic. Perhaps you don't understand how to:
1) Write a compelling email SUBJECT line to motivate agents to click and open your submission.
2) Format your submission documents to be device-and-agent friendly.
3) Tell the core of your story in the first three sentences of your query letter.
4) Write a synopsis to motivate the agent to read your sample pages.
5) Self-edit your work to eliminate ALL writing mechanic errors.
You may be thinking it's not fair that you have to learn all this new stuff in order to get your book published. After all, you've already spent months or years writing the book.
Well . . . get over it!
Time for a reality check. This is about business. Period. Agents want to discover writers with salable manuscripts that publishers can manufacture into books which sell and generate profits to keep the business going and growing.
It's up to you to make the case that you are the real deal: a talented writer with a saleable manuscript. Prove you are the client they've been looking for all along.
From author C. Flood: Molli Nickell is a writers' alloy. She melds writers to agents.
PS: if you enrolled, independently, in the above workshops, evaluations, and Q&A access, your monthly cost would be over $2000.
ccccccccccccfour weekly workshops: $500
four individual evaluations: $500
daily access to me via Facebook Q & A. $750
agent research with weekly reports $100
Four tutorials: $17 each = $68
Plus a library card to archived tutorials,
and discounts galore on a variety of additional products and services.
Plus
First dibs on personalized workshops for your critique group
If you chose all of the above:four weekly workshops with homework, four evaluations of homework, daily Q &A, four tutorials, and agent research, four tutorials @$17 each = $68. card to archived library, $25 per month,
Instead, you pay only $37 a month, no minimums. Stay as long as you like, and when you're done, when you understand how to write an effective query, synopsis, first page, subject line, then adios and happy trails. Off you go on your agent quest.
FROM LOU: Get ALL of the Above When You Join the "Video Green Room!"You get plenty of access to me, along with the support and accountability of our entire community! You can pay monthly, quarterly or annually. This is designed to be an ongoing 12-month program, but there's no obligation and you can cancel anytime. (We know you're going to love it, though!)
from Heather~
Even though I'm an English teacher, Molli taught me HOW to write fiction. I LOVE being able to break so many rules and having the freedom to start a sentence with AND or BUT, along with using contractions, because that's how we speak and think! Thanks Molli!
Even though I'm an English teacher, Molli taught me HOW to write fiction. I LOVE being able to break so many rules and having the freedom to start a sentence with AND or BUT, along with using contractions, because that's how we speak and think! Thanks Molli!
Evaluation Fees:
- 20 pgs. / 5,000 words $295.
- 40 pgs. / 10,000 words: $495.
- 100 pgs. / 25,000 words: $850.
- 180 pgs. / 45,000 words: $1050.
- 360 pgs. / 90,000 words: $1500.
Manuscript Critique Service~
A professional pre-evaluation of your manuscript can eliminate hours, days, or months of struggle to revise or complete it on your own.
During my 35 years in the publishing business, I’ve read hundreds of manuscripts, some good, some bad, some not worth the mention.
Now, as a story doctor, I draw on my expertise in film (screenplay development) as a former publisher, and acquisitions editor to help writers "fast track" toward publication.
My comprehension/evaluation strengths can help you revise your manuscript and strengthen your project before submitting it.
I can help you improve your manuscript, regardless of whether it's only partially written, in rough draft form, or completed.
And, it won't break your piggy bank.
A personalized manuscript evaluation helps you determine the following:
ONE: You email me the agreed-upon pages of your manuscript, written in Microsoft Word.
TWO: I write comments and suggestions on your manuscript. then email it back to you. Note: I scrutinize your first ten (10) pages and highlight writing mechanic issues so you can revise, and also search for and revise these throughout your entire manuscript.
THREE: After you've read my evaluation comments, we'll schedule a 30-minute telephone consultation to discuss any questions you may have regarding your manuscript and how to proceed.
A professional pre-evaluation of your manuscript can eliminate hours, days, or months of struggle to revise or complete it on your own.
During my 35 years in the publishing business, I’ve read hundreds of manuscripts, some good, some bad, some not worth the mention.
Now, as a story doctor, I draw on my expertise in film (screenplay development) as a former publisher, and acquisitions editor to help writers "fast track" toward publication.
My comprehension/evaluation strengths can help you revise your manuscript and strengthen your project before submitting it.
I can help you improve your manuscript, regardless of whether it's only partially written, in rough draft form, or completed.
And, it won't break your piggy bank.
A personalized manuscript evaluation helps you determine the following:
- Are your characters engaging?
- Does your story "hook" readers so they eagerly continue reading?
- Does your plot make sense?
- Is your dialogue varied and appropriate?
- Have you applied basic writing mechanics throughout?
ONE: You email me the agreed-upon pages of your manuscript, written in Microsoft Word.
TWO: I write comments and suggestions on your manuscript. then email it back to you. Note: I scrutinize your first ten (10) pages and highlight writing mechanic issues so you can revise, and also search for and revise these throughout your entire manuscript.
THREE: After you've read my evaluation comments, we'll schedule a 30-minute telephone consultation to discuss any questions you may have regarding your manuscript and how to proceed.
LeapFrog~
I also offer a unique and effective editing-and-skill-improvement process called "LeapFrog." I guide the writer, chapter by chapter, through manuscript revision. After I identify writing mechanic and grammar issues, the writer performs the revisions, then emails the manuscript to me. I check their work for accuracy, then move on to the next portion. Back and forth we continue throughout the entire manuscript.
However, the first step in LeapFrog is a context evaluation of the entire manuscript to determine if the:
LeapFrog helps writers mature writing skills and increase the potential to prove they are what all agents want, the real deal: a skillful writer with a saleable manuscript.
For more information and fee quote, contact me using the box below.
I also offer a unique and effective editing-and-skill-improvement process called "LeapFrog." I guide the writer, chapter by chapter, through manuscript revision. After I identify writing mechanic and grammar issues, the writer performs the revisions, then emails the manuscript to me. I check their work for accuracy, then move on to the next portion. Back and forth we continue throughout the entire manuscript.
However, the first step in LeapFrog is a context evaluation of the entire manuscript to determine if the:
- characters are engaging
- story holds reader interest
- plot makes sense
- dialogue is varied and appropriate
- "red-flag" words have been revised and eliminated
- basic writing mechanics are applied throughout
LeapFrog helps writers mature writing skills and increase the potential to prove they are what all agents want, the real deal: a skillful writer with a saleable manuscript.
For more information and fee quote, contact me using the box below.
Take the "Query and Synopsis Quantum Leap~ Together, for the first time, the query and synopsis are taught in one, 4-week workshop. Finally, master them both before launching your agent quest. Here's what you get:
- 10 hours in a virtual, live, class that meets four times, led by me, with eight (8) dedicated writers.
- query, synopsis, and "red-flag" word tutorials.
- Facebook private group for masterminding and sharing.
- private consult with me to evaluate your final drafts of query and synopsis.
TRIPLE WHAMMY SPECIAL OFFER!
Save $14 and receive all three tutorials for $27. Take advantage of this time-limited special offer for information that will help you achieve submission success.
Save $14 and receive all three tutorials for $27. Take advantage of this time-limited special offer for information that will help you achieve submission success.
. . . from Fran Orenstein prolific author of 13 books
Using the query techniques Molli teaches, I took the direct approach and pitched my manuscripts, then signed contracts with two publishers (one for poetry and another for novels) I met at a writers' conference.
Using the query techniques Molli teaches, I took the direct approach and pitched my manuscripts, then signed contracts with two publishers (one for poetry and another for novels) I met at a writers' conference.
What needs to be included in your query submission email? You may be surprised to find out! Click the blue button to request your two-page FREE Query Submission Check List to learn what goes where and why.
. . . from author Bria Burton
Thanks to Molli’s guidance on my query letter, when I "pitched" it to an agent and a publisher at a writers' conference, both requested manuscript submissions.
Thanks to Molli’s guidance on my query letter, when I "pitched" it to an agent and a publisher at a writers' conference, both requested manuscript submissions.
Would you like to know about the next live, on line, virtual query workshop? Send your request to me at [email protected]. Write QUANTUM LEAP in the subject line and ask to be notified when the next workshop is scheduled.
TRIPLE WHAMMY! Avoid submission rejection. Save $14 and receive all three tutorials Add art. Special, time-limited offer, of $27 for all. Take advantage of this offer that will help you achieve submission success.
Same thing they have always wanted: salable manuscripts to sell to publishers. Period. It's busine$$. Period. The need for written or audio product increases as multiple avenues of publication, from ebooks to audio books to podcast book readings, etc., expands the marketplace and creates a gazillion opportunities for writers.
Let's assume you have crafted a fascinating story, and revised your query over and over again, but can't interest an agent sufficiently to respond with the standard, "sorry, not right for our list."
Why?
One or more of the following basics are in play. which demonstrate clearly that you do not understand how to:
Did you write a compelling email SUBJECT line that will motivate agents to click and open your emailed submission.
Was your submission formatted to be device-and-agent friendly email submission. Can it easily be read on any size screen, including smart phones?
Have you told the core of your story: Who wants what? Why can’t they have it? What is the terrible “or else” that will occur if they fail to get what they want.
Are your synopsis and sample pages included inside your query letter?
Did you self-edit your work like a pro? Have you purged your work of all "red-flag" works that will cause your manuscript to be identified as un-worthy of worthy of publication?
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Are you ready to end the struggle with the
get-published learning curve?
If so, I'll help you flatten it!
Do you need how-to-get-published articles (300/450 words) for your blog or newsletter?
If so, please tap into unending supply of information about agents, query letters, synopses, first pages and all aspects of the traversing the learning curve from polished manuscript to agent acquisition. Access the RSS feed (automatic delivery) and SHARE whatever you'd like with the writers in your world. They'll thank you!
If so, please tap into unending supply of information about agents, query letters, synopses, first pages and all aspects of the traversing the learning curve from polished manuscript to agent acquisition. Access the RSS feed (automatic delivery) and SHARE whatever you'd like with the writers in your world. They'll thank you!
After years of struggle, I asked Molli for assistance. She discovered multiple issues in my synopsis and sample pages that had held me back. My biggest regret is not working with her years earlier. She's that good.
. . . from author-to-be Bill
. . . from author-to-be Bill
THIS CAN BE DELETED ONCE THE SYNOPSIS IS AVAILABLE AS A PRODUCT.
Hello dear writer,
The following information will help you discover what goes where and why in your synopsis.
It's important for you to figure this out if your goal is to land an agent to help you move through the publication maze. The publishing industry is evolving and changing at an amazing rate. Especially the submission process. In today's writing world (2016), most agents request a query, synopsis, and first pages pasted inside the query email. All in one. This makes it quick for them to read. Also quick for them to send to delete-ville.
If your query grabs their attention, they keep on reading. If your synopsis expands their understanding about the story, and carries it from beginning to end, they'll read your sample pages.
The purpose of the synopsis is to sell your skills as a story teller who can write a story from beginning to end. Like the query letter, the synopsis is a sales document. Unlike the query that hints at the resolution, the synopsis reveals all. This proves you know how to write a full-circle story that moves from beginning to middle to end.
Writing a synopsis can be as challenging as writing a query letter. It isn't easy to reduce your entire story to 350 words, but it's doable, especially when you focus on the wants, needs, and challenges of the protagonist, and not every character and situation in your story.
It may not seem fair that you must learn to write three sales documents--query, synopsis, and book proposal (for non-fiction) in order to become published. Well, get over it. That's the way it is. Publishing is a business and there are certain protocols that demand a certain presentation. The more skillfully you learn to present yourself and your work, the greater your chances of seeing your book on the shelves of Barnes and Noble.
Your synopsis (like the query letter) is a make-or-break situation. Write it well and you increase the odds the agent will read it from beginning to end and then read your manuscript sample pages. Write it poorly and they'll take a latte break instead
Here's some good news. You already have most of the information you need to craft a synopsis. You've written it in your query letter first two paragraphs.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
The Five (5)-Step Synopsis~
The synopsis, written in present tense, reveals the following in five (5) paragraphs.
One: First paragraph describes who wants what and why (goal), and what stands in their way (obstacle).
Two: Second paragraph expands the situation. Introduces the antagonist (person or situation that blocks the protagonist). Shows the thoughts and emotions of the protagonist as they struggle against the antagonist.
Three: Third paragraph moves the protagonist closer to goal achievement. Hints at the possibility of failure.
Four: Fourth paragraph heads toward the goal post. A “red herring” might suggest that failure (not success) is eminent and irreversible.
Five: Fifth paragraph reveals the story resolution as the protagonist succeeds or fails.
If you neglect to reveal goal, obstacle, and resolution in your synopsis, your manuscript sample pages will not be read. No agent will take the time to figure out the core of your story. You have to show and tell them.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Now it's your turn~
Please go easy on yourself as you write your synopsis first draft. Acknowledge that you’re going through a learning curve. You're taking vital steps that will shift from telling your story to selling your story.
Is this stressful? Yes it is!
Can you do it! Of course!
You can learn to write a synopsis and create a submission packet (query, synopsis, and sample pages) that will improve your potential to land an agent to guide you through the publishing maze.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Hello dear writer,
The following information will help you discover what goes where and why in your synopsis.
It's important for you to figure this out if your goal is to land an agent to help you move through the publication maze. The publishing industry is evolving and changing at an amazing rate. Especially the submission process. In today's writing world (2016), most agents request a query, synopsis, and first pages pasted inside the query email. All in one. This makes it quick for them to read. Also quick for them to send to delete-ville.
If your query grabs their attention, they keep on reading. If your synopsis expands their understanding about the story, and carries it from beginning to end, they'll read your sample pages.
The purpose of the synopsis is to sell your skills as a story teller who can write a story from beginning to end. Like the query letter, the synopsis is a sales document. Unlike the query that hints at the resolution, the synopsis reveals all. This proves you know how to write a full-circle story that moves from beginning to middle to end.
Writing a synopsis can be as challenging as writing a query letter. It isn't easy to reduce your entire story to 350 words, but it's doable, especially when you focus on the wants, needs, and challenges of the protagonist, and not every character and situation in your story.
It may not seem fair that you must learn to write three sales documents--query, synopsis, and book proposal (for non-fiction) in order to become published. Well, get over it. That's the way it is. Publishing is a business and there are certain protocols that demand a certain presentation. The more skillfully you learn to present yourself and your work, the greater your chances of seeing your book on the shelves of Barnes and Noble.
Your synopsis (like the query letter) is a make-or-break situation. Write it well and you increase the odds the agent will read it from beginning to end and then read your manuscript sample pages. Write it poorly and they'll take a latte break instead
Here's some good news. You already have most of the information you need to craft a synopsis. You've written it in your query letter first two paragraphs.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
The Five (5)-Step Synopsis~
The synopsis, written in present tense, reveals the following in five (5) paragraphs.
One: First paragraph describes who wants what and why (goal), and what stands in their way (obstacle).
Two: Second paragraph expands the situation. Introduces the antagonist (person or situation that blocks the protagonist). Shows the thoughts and emotions of the protagonist as they struggle against the antagonist.
Three: Third paragraph moves the protagonist closer to goal achievement. Hints at the possibility of failure.
Four: Fourth paragraph heads toward the goal post. A “red herring” might suggest that failure (not success) is eminent and irreversible.
Five: Fifth paragraph reveals the story resolution as the protagonist succeeds or fails.
If you neglect to reveal goal, obstacle, and resolution in your synopsis, your manuscript sample pages will not be read. No agent will take the time to figure out the core of your story. You have to show and tell them.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Now it's your turn~
Please go easy on yourself as you write your synopsis first draft. Acknowledge that you’re going through a learning curve. You're taking vital steps that will shift from telling your story to selling your story.
Is this stressful? Yes it is!
Can you do it! Of course!
You can learn to write a synopsis and create a submission packet (query, synopsis, and sample pages) that will improve your potential to land an agent to guide you through the publishing maze.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
An offer you can't (won't want to) refuse~
For a limited time, you can purchase “Self-Edit Like a Pro” for $7.48. Save 50% off the $14.95 cover price when you order directly from createspace, Amazon's publishing division.
CLICK HERE to reach the createspace product page. Use discount code PYLHCNRF at checkout.
For a limited time, you can purchase “Self-Edit Like a Pro” for $7.48. Save 50% off the $14.95 cover price when you order directly from createspace, Amazon's publishing division.
CLICK HERE to reach the createspace product page. Use discount code PYLHCNRF at checkout.
If you feel nervous, terrified, or nauseous because you need to learn how to write a query, take a deep breath and relax.
My 24-page tutorial contains query letter "how-to" techniques and "don't do" tips to help you write a query that lands an agent.
It includes:
My 24-page tutorial contains query letter "how-to" techniques and "don't do" tips to help you write a query that lands an agent.
It includes:
- the three major mistakes that
prevent query success - how to avoid these
- evaluated query examples of what works and why.
- 11-point check list.
- detailed query letter template.
- Click Here to check it out
Are you stuck in the
query quagmire?
query quagmire?
No doubt you expended effort and time (months/years) to develop your story-telling muscles when you:
- enrolled in writing classes
- purchased "how-to-write" books
- attended writers’ conferences
- joined a critique group
- pitched your manuscript (face-to-face) to agents or editors
- edited, revised, and polished your manuscript until it glowed in the dark.
(BTW: I hate spam more than day-old sushi & double-pinky promise to never ever share or sell your email address!)
35 "red-flag" words that can keep you from getting published!
You'll be smart to remove these rascals from your
query (synopsis and manuscript) before you launch your submission quest.
Otherwise, you run the risk your manuscript will be judged as not being ready for prime time. You might be labeled a "rookie" writer, causing your submission will fly to delete-ville. Yikes!
You can prevent this from happening.
Discover what these words are and how to find them in your manuscript.
Request my FREE, six-page, mini-tutorial which includes a:
Click on the blue button.
query (synopsis and manuscript) before you launch your submission quest.
Otherwise, you run the risk your manuscript will be judged as not being ready for prime time. You might be labeled a "rookie" writer, causing your submission will fly to delete-ville. Yikes!
You can prevent this from happening.
Discover what these words are and how to find them in your manuscript.
Request my FREE, six-page, mini-tutorial which includes a:
- list of 35 red-flag words.
- Search-Mark-Revise technique to help you find and remove them.
Click on the blue button.
Available now, A 24-page query tutorial, filled with useful information, evaluated query samples, query check list, and query tips and techniques you won't find anyplace else. Check it out. CLICK HERE.
To bolster your confidence in learning how to write a query,
request my FREE query template.
It will help you discover what to put where and why. As a result, you'll relax a bit about the query process.
SURPRISE: Your template includes a special discount coupon for a workbook to help you self-edit like a pro. So, where would you like me to send your template?
request my FREE query template.
It will help you discover what to put where and why. As a result, you'll relax a bit about the query process.
SURPRISE: Your template includes a special discount coupon for a workbook to help you self-edit like a pro. So, where would you like me to send your template?
Is your manuscript ready for prime time!
Find out how! My free, six-page, mini-tutorial will help you identify red-flag words you'll want to revise out of your manuscript. BONUS: A Search-Mark-Revise technique to help you find them. Start today and elevate your status from "rookie" to "pro" to "published."
Click on the blue button, then indicate what else concerns you regarding your quest to become a published author.
For constant contact welcome letter:
Before you launch your agent quest, make sure your query, synopsis, and sample pages are ready for prime time. CLICK HERE to open my six-page, mini-tutorial. It will help you identify red-flag words. BONUS: A Search-Mark-Revise technique to help you find them.
Tips and techniques in my book can help you mature your work. search and revise the primary, (36) red-flag words you'd be wise to eliminate before launching your agent quest. The extra effort will be time well spent. It can elevate your work from "rookie" to "pro" to "published." Available at Amazon.com
Find out how! My free, six-page, mini-tutorial will help you identify red-flag words you'll want to revise out of your manuscript. BONUS: A Search-Mark-Revise technique to help you find them. Start today and elevate your status from "rookie" to "pro" to "published."
Click on the blue button, then indicate what else concerns you regarding your quest to become a published author.
For constant contact welcome letter:
Before you launch your agent quest, make sure your query, synopsis, and sample pages are ready for prime time. CLICK HERE to open my six-page, mini-tutorial. It will help you identify red-flag words. BONUS: A Search-Mark-Revise technique to help you find them.
Tips and techniques in my book can help you mature your work. search and revise the primary, (36) red-flag words you'd be wise to eliminate before launching your agent quest. The extra effort will be time well spent. It can elevate your work from "rookie" to "pro" to "published." Available at Amazon.com
Want to kick the tires? CLICK HERE to reach the form on the left side of my HOME page. Then tell me where to send your template and it will fly into your inbox. How easy is that?
Go get it and try it out!
Go get it and try it out!
Prolific writer, Mac Wheeler, has 29 published novels under his belt. CLICK HERE to read more.
A super-duper senior, Fran, shredded the rejection slips in her file cabinet and . . . CLICK HERE to read her story.
Heather Ashby traveled the query/synopsis path to contact agents regarding her first romance novel. Then she decided to go out on her own and . . . CLICK HERE to follow her path to success.
"Captain" Haggerty, a world renowned canine trainer, had gained a book publishing deal that was verging on the brink of failure until . . . CLICK HERE to read his story.
Nancy Cavanaugh's dreams of becoming published shifted considerably when she . . . CLICK HERE to read about Nancy's path to publication.
Emily Will became an overnight success after six years of writing, revising, revising, revising . . . and submitting 85 query letters.
CLICK HERE to read her story.
CLICK HERE to read her story.
Thanks to Molli’s "leap frog" approach to context and line editing, my manuscript has improved one thousand percent. My story is light years ahead of where it was when we started. As an added bonus, my skill level improves each and every time she evaluates/critiques a submission. Thanks Molli.
. . . from Laurie
. . . from Laurie
After years of struggle, a 45-minute consultation with Molli revealed issues that had held me back. My biggest regret is not working with Molli years earlier. She's that good.
. . . from Bill
I've observed Molli Nickell in action. She teaches writers how to hone selling points, focus the pitch and land an agent, vital first steps toward becoming published. Her humor and kindness will put you at ease while you gain new skills when you write your query letter pitch. I’ve personally witnessed several successes—including my own—that came about after learning how to apply the techniques that Molli teaches.
. . . from John Rehg, author
. . . from John Rehg, author
After Molli’s evaluation of my query letter and help with my pitch, my book got its foot in the door when both an agent and a publisher at the Florida Writers' Association conference requested a manuscript submission.
. . . from Bria Burton, Group leader, FWA St. Pete Writers' Group
. . . from Bria Burton, Group leader, FWA St. Pete Writers' Group
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I've observed Molli Nickell in action. She teaches writers how to hone selling points, focus the pitch and land an agent, vital first steps toward becoming published. Her humor and kindness will put you at ease while you gain new skills when you write your query letter pitch. I’ve personally witnessed several successes—including my own—that came about after learning how to apply the techniques that Molli teaches.
. . . from John Rehg, author 
I struggled through several drafts of my query letter until, with guidance from Molli's tutorial, I finally nailed and memorized it to successfully pitch to an agent at a FWA writers' conference.
. . . from Kim 
After Molli’s evaluation of my synopsis and help with my pitch, my book got its foot in the door when an agent and a publisher I met at the Florida Writers' Association conference requested a manuscript submission. Thanks Molli!
. . . from Bria Burton, Group leader, FWA St. Pete Writers' Group 
Thanks to Molli’s "leap frog" approach to context and line editing, my manuscript has improved one thousand percent. My story is light years ahead of where it was when we started. As an added bonus, my skill level improves each and every time she evaluates/critiques a submission. Thanks Molli.
. . . from Laurie 
After years of struggle, a 45-minute consultation with Molli Nickell revealed issues that had held me back. My biggest regret is not working with Molli years earlier. She's that good. . . . from Bill |
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